I am Leverhulme Early Career Fellow at the Faculty of Medieval and Modern Languages and Junior Research Fellow at New College, both at Oxford.
I specialise in German and European literature and performance in the 20th and 21st centuries as well as theories of embodiment. My research interests include questions of urban migration, dis/ability, sexuality, and gender.
My first book entitled Habituation in German Modernism explores how writers imagined the ways in which we adapt to new and/or unfamiliar environments by bringing German literature and thought of the early twentieth century – a time of massive urban migration and immense social and material change in Europe – into dialogue with current research in the cognitive sciences. A more personal reflection on the book can be found in this blogpost.
My current research project Dancing Modernist Literature is funded by a Leverhulme Early Career Fellowship. This project explores 21st-century dance adaptations of modernist literature – from Kafka’s The Metamorphosis to Woolf’s Orlando – and what these adaptations tell us about the continuing relevance of these modernist texts, imagining anew their concerns around sexuality, disability, aging, and gender through the body. A conversation about my work on The Metamorphosis can be found in this podcast (with Karen Leeder).
I am series editor of Brill’s Bodies & Abilities in Culture, Literature, and the Arts, a book series exploring human physical abilities and their imaginaries in culture, literature, and the arts; and I am co-curator of Kafka: Making of an Icon, a major exhibition at the Weston Library in Oxford and the Morgan Library in New York.
I am also an associate researcher on the AHRC-funded Kafka’s Transformative Communities Project (PI: Carolin Duttlinger). As part of this Project, we worked with award-winning choreographer Arthur Pita on a new adaptation of Kafka's ‘A Hunger Artist’ for which I held two grants. A recording of a roundtable in which I discuss ‘A Hunger Artist’ alongside Ankhi Mukherjee, Peter Boxall, and Alys Moody — hosted by Karen Leeder — can be found on the University of Oxford's website.
I am a former professional ballet dancer. I have danced leading roles in such ballets as The Nutcracker, A Streetcar Named Desire, Romeo and Juliet, Le Spectre de la Rose, and A Midsummer Night's Dream.
meindert.peters@mod-langs.ox.ac.uk




MONOGRAPHS
- Dancing Modernist Literature: Contemporary Adaptation and the Moving Body
(Under Contract with Edinburgh University Press) - Habituation in German Modernism: Embodied Cognition in Literature and Thought
(Camden House)
JOURNAL ARTICLES AND BOOK CHAPTERS
- No Creature of Habit? Gregor Samsa’s Dancing Dis/Abilities in Arthur Pita’s Adaptation of Franz Kafka’s The Metamorphosis
(Forthcoming in Journal of Modern Literature) - Hoffmann at the Ballet
(Forthcoming in E.T.A. Hoffmann in Context) - Circumscribing a Gesture: War, Breath and Memory in De Keersmaeker’s Staging of Rilke’s Die Wiese von Liebe und Tod des Cornets Christoph Rilke
(Forthcoming in Dance Research) - Manuscript Journeys
(With Katrin Kohl; in Kafka: Making of an Icon) - Kafka as Literature of the Absurd
(In The Routledge Companion to Absurdist Literature) - Benjamin in i10: Journalistic Networks, Exchange, and Reception behind a Dutch, Multi-Lingual, Avant-Garde Magazine
(In Monatshefte) - Introduction: Transatlantic Cognitive Cultures
(With Shannon McBriar; in Symbiosis) - ‘One Must Know How to Dance’: Baum’s Menschen im Hotel, Goulding’s Grand Hotel, and a Choreography of Social Responses
(In Symbiosis) - Revaluations Through Dance: Friedrich Nietzsche’s Thought in Isadora Duncan’s Speech The Dance of the Future
(In Dance Research) - Heidegger’s Embodied Others: On Critiques of the Body and ‘Intersubjectivity’ in Being and Time
(In Phenomenology and the Cognitive Sciences) - ‘Trekt Heuvelman voor ons gezicht?’: The Library of Writing-Master Johannes Heuvelman
(In Quaerendo)
OTHER ARTICLES (SELECTED)
- Timely/Untimely (Book Review of Stanley Corngold’s Expeditions to Kafka)
(In Review 31) - Only Fools and Horses
(In The Oxford Kafka Research Centre Blog) - Monthly Column ‘Kafka in Oxford’ (In Dutch)
(On Bazarow.com) - Book Review of Kata Gellen’s Kafka and Noise
(In Seminar) - Between Box and Body: On a Dance Improvisation with Machteld Rullens's Cardboard Box Sculptures
(In ASAP/J) - The Swan / No More Dying
(In The Oxonian Review) - Movement Literacy
(With Patty Argyrides; in Modernism/modernity Print+) - Article Review of Sonja Boos’ ‘Reading Gestures’
(In The Journal of Literature and Science) - Interiors of (Un)Use
(In The Modernist Review) - A Love Story Nevertheless
(In The Oxonian Review) - Three Vertiginous Thrills and a Dud
(In The Oxonian Review) - The Fantasy that is Masurca Fogo
(In The Oxonian Review)
CREATIVE WORK (SELECTED)
- Mate (Choreography, premiere: 9 June 2011, TanzArt OstWest Festival, Gießen, Germany)
‘Smashingly funny ... delightful, a highlight’ (‘Umwerfend komisch ... köstlich, ein Höhepunkt’, Heiner Schultz, 11 June 2011, Gießener Anzeiger)